Thursday, December 13, 2007
De-Lovely
The first time I saw De-Lovely, the 2004 biography of Cole Porter starring Kevin Kline and Ashley Judd, I thought it was an interesting but not particularly impressive movie. At least, unlike the 1946 movie about Porter (Cary Grant’s Night and Day, which presented him as straight), De-Lovely was reasonably accurate and had no trouble dealing with the fact that Porter was gay and yet married to a woman.
So far, so good. A pleasant but inconsequential movie, with some irresistible Cole Porter songs ably sung by Kevin Kline. And then came the day that Barbara and I saw the Sara & Gerald Murphy exhibit at Williams College, where we realized that the Murphys and their sons had played a major part in the life of Cole Porter — but we hadn’t remembered them from De-Lovely. Time to see that movie again, right?
The were two results to seeing it again. The minor one was that we found (not surprisingly) that there were indeed a great many appearances by the Murphys in the movie. If we had known who they were, we would have paid attention to them. (There’s a moral there somewhere.) But the major result was that we realized that this was a far better movie than we had originally thought. Maybe it was simply the effect of seeing it for the second time, maybe it was the focus caused by the fact that we had something to look for — whatever it was, De-Lovely had changed from a competent movie to a first-rate one. Of course it was still the same movie, but not in our perception. Everything held together well, the songs were perfectly integrated into the biography, we understood Cole Porter far better than we had done earlier, and even the performances were better than they were the first time around. So now I highly recommend De-Lovely, but perhaps some advanced preparation would help.
So far, so good. A pleasant but inconsequential movie, with some irresistible Cole Porter songs ably sung by Kevin Kline. And then came the day that Barbara and I saw the Sara & Gerald Murphy exhibit at Williams College, where we realized that the Murphys and their sons had played a major part in the life of Cole Porter — but we hadn’t remembered them from De-Lovely. Time to see that movie again, right?
The were two results to seeing it again. The minor one was that we found (not surprisingly) that there were indeed a great many appearances by the Murphys in the movie. If we had known who they were, we would have paid attention to them. (There’s a moral there somewhere.) But the major result was that we realized that this was a far better movie than we had originally thought. Maybe it was simply the effect of seeing it for the second time, maybe it was the focus caused by the fact that we had something to look for — whatever it was, De-Lovely had changed from a competent movie to a first-rate one. Of course it was still the same movie, but not in our perception. Everything held together well, the songs were perfectly integrated into the biography, we understood Cole Porter far better than we had done earlier, and even the performances were better than they were the first time around. So now I highly recommend De-Lovely, but perhaps some advanced preparation would help.
Labels: movies
ARCHIVES
- May 2005
- June 2005
- July 2005
- August 2005
- September 2005
- October 2005
- November 2005
- December 2005
- January 2006
- February 2006
- March 2006
- April 2006
- May 2006
- August 2006
- September 2006
- November 2006
- December 2006
- January 2007
- February 2007
- March 2007
- April 2007
- May 2007
- December 2007
- January 2008
- February 2008
- March 2008
- April 2008
- May 2008
- July 2008
- November 2008
- December 2008
- January 2009