Wednesday, December 20, 2006
Black Maps
Black Maps, by Peter Spiegelman, is clearly not for just any random reader of mysteries. It combines the loner private eye — traditional in the noir side of the genre — with the much less hot-blooded (and tiny) sub-genre of financial and other white-collar crime. So if you’re turned off by either of these points of view, you’ll probably give Black Maps a miss.
That would be a pity, because the page-turning plot, the character development, and the vivid sense of place (New York City) all turn out to be much more important than either the noirishness or the financial shenanigans. I can’t say much more without risking inadvertent spoilers. Don’t reject Black Maps because you don’t like noir. Don’t reject it because you don’t like financial mysteries. Just read it.
That would be a pity, because the page-turning plot, the character development, and the vivid sense of place (New York City) all turn out to be much more important than either the noirishness or the financial shenanigans. I can’t say much more without risking inadvertent spoilers. Don’t reject Black Maps because you don’t like noir. Don’t reject it because you don’t like financial mysteries. Just read it.
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