Thursday, August 31, 2006
Dennis Lehane
Do you want to meet Dennis Lehane, the well-known author of eight novels, including Mystic River (made into a 2003 movie directed by Clint Eastwood) and Gone Baby Gone (made into an soon-to-be-released movie directed by Ben Affleck)? Aside from enjoying his novels, my interest here is that Lehane grew up in Dorchester and is providing this opportunity as a fundraiser for the Dorchester Historical Society: $25 admission, with free hors d’oeuvres and cash bar, at the Phillips Old Colony House, 780 Morrissey Blvd., at 6:30 PM on Thursday, October 5. Be there!
Labels: books, Dorchester
Tuesday, August 29, 2006
When you've forgotten the combination to your lock...
As we all know, combination locks should really be called permutation locks.
Actually, that isn’t quite right. Duplicates are allowed, so you aren’t really taking permutations of 40 numbers. But that isn’t the subject of this post. The point is that with three numbers, each of which can be one of 40, there should be 64,000 possible “combinations.” That means that the probability that two locks will have the same combination is small enough not to worry about. It also means that it would take you a long time to try every possibility if you forget what your combination is. Let’s suppose you can try five possible combinations per minute, which seems reasonable, then it should take 12,800 minutes, which is 213 hours. At eight hours per day, we’re talking about 27 days of work, or over five solid weeks if you give yourself weekends off.
That seems pretty secure, doesn’t it? Clearly nobody will devote that amount of time.
Actually, that’s the worst-case scenario. You might, after all, hit on the correct combination in your first try. So we need the expected value, which is half the previous figure: on the average it should take less than three weeks. Still ridiculous.
But Liam Bowen has shown that there’s a way to get the expected value down to a very manageable ten minutes, still at five tries per minute! In other words, the worst case becomes 100 trials rather than 64,000. In his interesting and much linked-to article, he uses modular arithmetic and lock knowledge (occasionally confusing numbers with digits) to explain how to do this. But let me quote and emphasize Bowen’s caution:
Actually, that isn’t quite right. Duplicates are allowed, so you aren’t really taking permutations of 40 numbers. But that isn’t the subject of this post. The point is that with three numbers, each of which can be one of 40, there should be 64,000 possible “combinations.” That means that the probability that two locks will have the same combination is small enough not to worry about. It also means that it would take you a long time to try every possibility if you forget what your combination is. Let’s suppose you can try five possible combinations per minute, which seems reasonable, then it should take 12,800 minutes, which is 213 hours. At eight hours per day, we’re talking about 27 days of work, or over five solid weeks if you give yourself weekends off.
That seems pretty secure, doesn’t it? Clearly nobody will devote that amount of time.
Actually, that’s the worst-case scenario. You might, after all, hit on the correct combination in your first try. So we need the expected value, which is half the previous figure: on the average it should take less than three weeks. Still ridiculous.
But Liam Bowen has shown that there’s a way to get the expected value down to a very manageable ten minutes, still at five tries per minute! In other words, the worst case becomes 100 trials rather than 64,000. In his interesting and much linked-to article, he uses modular arithmetic and lock knowledge (occasionally confusing numbers with digits) to explain how to do this. But let me quote and emphasize Bowen’s caution:
PLEASE don’t use this to break into anything other than your own stuff.
Labels: math
Sunday, August 27, 2006
Cold Moon
Just finished reading Jeffery Deaver’s Cold Moon. Like the rest of his Lincoln Rhyme series, this novel is full of surprise turns. At many points, just when you’re finally sure that you understand what’s going on, there’s some new twist in the plot that makes you re-assess most of what you thought you knew. In Deaver’s books it’s rarely as simple as good guys turning out to be bad guys or vice versa; it’s more that some absolutely clear evidence turns out to be not what it seemed to be, and you think that the author isn’t playing fair and is lying to the reader, but then you check again and discover that he has been scrupulously honest. It’s just that as a reader you’ve been inadvertently lying to yourself, thinking that Deaver wrote something and discovering later on that that was the reader’s interpretation, not the writer’s words.
Although not great literature in any sense, Cold Moon is a gripping page-turner. Despite a few inaccuracies and a number of implausibilities that risk the reader’s suspension of disbelief, it’s a fine crime novel that’s a combination of a police procedural, a standard detective story, and a psychological mystery. Read it when you have a couple of days with several hours of free time (not on a school night).
Although not great literature in any sense, Cold Moon is a gripping page-turner. Despite a few inaccuracies and a number of implausibilities that risk the reader’s suspension of disbelief, it’s a fine crime novel that’s a combination of a police procedural, a standard detective story, and a psychological mystery. Read it when you have a couple of days with several hours of free time (not on a school night).
Labels: books
Saturday, August 26, 2006
I Heart Huckabees
What a strange movie!
I definitely enjoyed the unconventional film I Heart Huckabees, but it’s more than merely unconventional. I can’t do better than to quote a few sentences from Roger Ebert’s review:
Oh — you want to know what it’s about? Nah, that wouldn’t help. I could tell you that it’s about an environmentalist organization, a large department store that pretends to support it, an environmentally conscious firefighter, and an existential detective agency; but that wouldn’t help you much. I could tell you that it stars Jason Schwartzman, Jude Law, Naomi Watts, Dustin Hoffman, Lily Tomlin, and Dorchester’s own Mark Wahlberg, but that wouldn’t help you much either. Just rent the DVD and see it. Maybe twice.
I definitely enjoyed the unconventional film I Heart Huckabees, but it’s more than merely unconventional. I can’t do better than to quote a few sentences from Roger Ebert’s review:
...the moment a movie is over, everybody asks you what you thought about it. I said, “I didn’t know what I thought.” Then how did it make you feel? “It made me feel like seeing it again.” You mean you liked it so much you want to see it twice? “No, I’m still working on seeing it the first time.”Yeah. What he said.
Now I have seen it twice. The movie is like an infernal machine that consumes all of the energy it generates, saving the last watt of power to turn itself off. It functions perfectly within its constraints, but it leaves the viewer out of the loop. This may be the first movie that can exist without an audience between the projector and the screen. It falls in its own forest, and hears itself...
Oh — you want to know what it’s about? Nah, that wouldn’t help. I could tell you that it’s about an environmentalist organization, a large department store that pretends to support it, an environmentally conscious firefighter, and an existential detective agency; but that wouldn’t help you much. I could tell you that it stars Jason Schwartzman, Jude Law, Naomi Watts, Dustin Hoffman, Lily Tomlin, and Dorchester’s own Mark Wahlberg, but that wouldn’t help you much either. Just rent the DVD and see it. Maybe twice.
Labels: movies
Thursday, August 24, 2006
Hackers and Painters
You should definitely read Paul Graham’s highly opinionated book, the one with the unlikely title of Hackers and Painters: Big Ideas from the Computer Age. But the first thing you have to know, if you’re not a computer geek, is that the title refers to “hackers” in the original meaning that it had before it was corrupted by Time Magazine and other popular media. A hacker is someone who loves working with computers, usually programming them. In the words of the Jargon File, the first definition of hacker is as follows:
Computer programmers share some important characteristics with artists — much more than they share with accountants, say. Programming a computer is a creative act, having much in common with painting a picture. Read this book if you want to find out what it’s like to create and build a large software project — spam detection and online stores in Graham’s case, but those are more by way of example than major themes. The major themes are really the big ideas of software development. When you read the book, you’ll learn a lot about programming languages and other tools. Take Graham’s admittedly biased view with several grains of salt, but do realize that he speaks with the voice of experience in both software development and art, not with the voice of academia. I won’t disclose his biases here; suffice it to say that his professional experience leads him to some well-considered judgments on certain popular operating systems and programming languages.
Unfortunately Graham also takes several forays into the worlds of politics and philosophy, I say “unfortunately” because they will detract from the book if you’re turned off by his libertarian views. Don’t let Graham’s politics deter you from taking his software development ideas seriously: there’s only the most tenuous connection between his politics and his views on software. Read the book anyway, and just argue mentally with the author. You will still enjoy the large majority of the chapters, especially when you think about pointy-haired bosses and their ilk. Speaking of chapters, Hackers and Painters is really a collection of semi-independent essays rather than a monolithic book. The first essay, “Why Nerds are Unpopular,” is especially recommended to middle- and high-school teachers and students: Graham writes from his own experience from when he was a teenage nerd (or geek — take your pick), and his analysis definitely rings true. Other recommended essays include “What You Can’t Say,” which is mostly about political correctness; “Good Bad Attitude,” which argues in favor of breaking the rules; and “The Road Ahead,” which explores the idea of web-based rather than desktop-based software.
One customer on Amazon says that “These essays help me maintain my sanity and inspire me to produce beauty while I code.” What more could one want? I don’t usually recommended taking the time to read reviews on Amazon, but in this case they’re well worth reading, even though of course some of the reviewers’ opinions are incorrect.
A person who enjoys exploring the details of programmable systems and how to stretch their capabilities, as opposed to most users, who prefer to learn only the minimum necessary. RFC1392, the Internet Users’ Glossary, usefully amplifies this as: A person who delights in having an intimate understanding of the internal workings of a system, computers and computer networks in particular.The popular press has conflated this with cracker, whose meaning has now become the meaning of hacker in most people’s minds:
One who breaks security on a system. Coined ca. 1985 by hackers in defense against journalistic misuse of hacker.Anyhow, now that you’re straight on what Graham means by hacker, you’re going to start wondering whether painter also means something you didn’t expect. It all depends, of course, on what you expected: it’s painter in the sense of a visual artist, not in the sense of a house painter.
Computer programmers share some important characteristics with artists — much more than they share with accountants, say. Programming a computer is a creative act, having much in common with painting a picture. Read this book if you want to find out what it’s like to create and build a large software project — spam detection and online stores in Graham’s case, but those are more by way of example than major themes. The major themes are really the big ideas of software development. When you read the book, you’ll learn a lot about programming languages and other tools. Take Graham’s admittedly biased view with several grains of salt, but do realize that he speaks with the voice of experience in both software development and art, not with the voice of academia. I won’t disclose his biases here; suffice it to say that his professional experience leads him to some well-considered judgments on certain popular operating systems and programming languages.
Unfortunately Graham also takes several forays into the worlds of politics and philosophy, I say “unfortunately” because they will detract from the book if you’re turned off by his libertarian views. Don’t let Graham’s politics deter you from taking his software development ideas seriously: there’s only the most tenuous connection between his politics and his views on software. Read the book anyway, and just argue mentally with the author. You will still enjoy the large majority of the chapters, especially when you think about pointy-haired bosses and their ilk. Speaking of chapters, Hackers and Painters is really a collection of semi-independent essays rather than a monolithic book. The first essay, “Why Nerds are Unpopular,” is especially recommended to middle- and high-school teachers and students: Graham writes from his own experience from when he was a teenage nerd (or geek — take your pick), and his analysis definitely rings true. Other recommended essays include “What You Can’t Say,” which is mostly about political correctness; “Good Bad Attitude,” which argues in favor of breaking the rules; and “The Road Ahead,” which explores the idea of web-based rather than desktop-based software.
One customer on Amazon says that “These essays help me maintain my sanity and inspire me to produce beauty while I code.” What more could one want? I don’t usually recommended taking the time to read reviews on Amazon, but in this case they’re well worth reading, even though of course some of the reviewers’ opinions are incorrect.
Labels: books, teaching and learning, technology
Wednesday, August 23, 2006
Vacationing in Lexington, Newton, and Quincy
If you’re not going anywhere for vacation, how about being a tourist at home? That’s what Barbara and I did this year as a consequence of having unfortunate summer calendars: we ended up having a total of one week’s vacation time, which would have been nine days if we include the weekends at each end, but was actually seven because Barbara had to work two of those days. For a variety of other reasons we also couldn’t even take the weekend at a B&B that we had wanted, so we decided to limit ourselves to local day trips, pretending we were out-of-town tourists in the Boston area for a brief visit. So we went to the Museum of Fine Arts [see my post of August 21] and various other museums, historical sites, and the like.
The highlights included the National Heritage Museum in Lexington, the Newton Historical Society, the Quincy Historical Society, and the Adams National Historical Park. All were worth it in their own way, and I got a number of ideas for our own Dorchester Historical Society. I felt like a Manhattanite who has never seen the Statue of Liberty, since this was my first visit to the Adams National Park despite having lived in the Boston area for the past 41 years.
The highlights included the National Heritage Museum in Lexington, the Newton Historical Society, the Quincy Historical Society, and the Adams National Historical Park. All were worth it in their own way, and I got a number of ideas for our own Dorchester Historical Society. I felt like a Manhattanite who has never seen the Statue of Liberty, since this was my first visit to the Adams National Park despite having lived in the Boston area for the past 41 years.
Labels: travel
Tuesday, August 22, 2006
Spellbound
Just finished watching Spellbound —the 2002 documentary, not the 1945 Alfred Hitchcock classic. (I do highly recommend the Hitchcock film, but that’s not the subject of this post.) What’s so interesting about the national spelling bee, anyway? Yes, that’s what this Spellbound is about, but of course what’s interesting is not the spelling bee itself but the character and personalities of the eight participants that the film chooses to follow.
So what do we expect? Let’s see:
So what do we expect? Let’s see:
- Diversity in ethnicity, class, and gender? Check.
- Kids who are externally driven by ressure from parents? Check.
- Kids who are internally driven by their own needs and values? Check.
- Kids who are still normal kids despite it all? Check.
- One kid with Asperger’s? Check.
Labels: movies
Monday, August 21, 2006
Unaccustomed excitement at the Museum
Part of our at-home mini-vacation (more on that later) was an all-too-rare visit to Boston's Museum of Fine Arts, all-too-rare since we’re members and ought to be taking more advantage of that opportunity. Anyway, we wanted to see the Americans in Paris exhibit, so that prompted us to go to the MFA. And we indeed enjoyed both the paintings themselves and the contextual information about the artists. When we are about 90% of the way through the exhibit, and all was well...suddenly...
A loud siren went off, and a voice on the PA system said that there was an emergency and everyone was to leave the building immediately by the nearest exit. No explanation, nothing but repeats of the message over and over again. There were a lot of foreign visitors, many of whom were understandably confused. We got to the escalators, with a couple of hundred people ahead of us, and noticed that everyone was slowly lined up waiting patiently for the down escalator, while the up escalator was dutifully carrying nobody on its way upstairs. So we promptly pushed the red stop button and walked down, followed by half of other guests. Why didn’t anyone else think of that?
Outside we found that most people were clustered all too close to the building. What if it was a real fire? Well, the building looks pretty fire-proof. But what if there was a bomb? Surely standing fifty feet from the building wouldn’t be good enough. And then a fire truck appeared. And another. And another. But still there were people standing right in the fire lane!
By time we gave up and left, six fire trucks had arrived, including a hook and ladder. One firefighter rapidly ascended the ladder onto the roof of the museum, axe out in his hand, and promptly disappeared.
Oddly enough, I could find no follow-up anywhere. So what really happened?
A loud siren went off, and a voice on the PA system said that there was an emergency and everyone was to leave the building immediately by the nearest exit. No explanation, nothing but repeats of the message over and over again. There were a lot of foreign visitors, many of whom were understandably confused. We got to the escalators, with a couple of hundred people ahead of us, and noticed that everyone was slowly lined up waiting patiently for the down escalator, while the up escalator was dutifully carrying nobody on its way upstairs. So we promptly pushed the red stop button and walked down, followed by half of other guests. Why didn’t anyone else think of that?
Outside we found that most people were clustered all too close to the building. What if it was a real fire? Well, the building looks pretty fire-proof. But what if there was a bomb? Surely standing fifty feet from the building wouldn’t be good enough. And then a fire truck appeared. And another. And another. But still there were people standing right in the fire lane!
By time we gave up and left, six fire trucks had arrived, including a hook and ladder. One firefighter rapidly ascended the ladder onto the roof of the museum, axe out in his hand, and promptly disappeared.
Oddly enough, I could find no follow-up anywhere. So what really happened?
Labels: travel
Sunday, August 20, 2006
This year we decided to cut back on the number of topics
Less is definitely more. In the first summer of the Crimson Summer Academy (2004) we attempted to explore two different (but related) topics in our Quantitative Reasoning (QR) course for rising sophomores: Visual Representations of Data and Models of Voting. This was a four-week program, where QR met for 5 hours per week. Needless to say, this wasn’t enough time, but we foolishly decided to fix the problem by tweaking the schedule rather than cutting down on the breadth. Furthermore, in 2005 we now had the second half of the course to teach: six weeks for rising sophomores. In six weeks we could do three topics, right? So we started with Cryptology, and then followed it with a pair of intertwined topics: Probability and Game Theory, wrapped up into a double topic called Risks and Benefits. With a small increase of 20 minutes per week, there still was insufficient time.
So we learned our lesson. We decided to go for more depth and less breadth in 2006. Aiming to focus on interdisciplinary applications of math that didn’t duplicate what the students were learning in their regular schools, we cut out Visual Representations of Data and Probability. We also renamed the Game Theory unit to Conflict and Cooperation. These changes were definitely successful: the summer was less frantic, and there was time to concentrate on applications in depth. The only downside was that some students perceived the two-summer course as less mathematical, since it contained very little material that was familiar from their regular math courses. (The irony is that the most traditionally mathematical activities, such as using systems of linear equations to solve mixed-strategy game theory problems, were the least successful.)
So we learned our lesson. We decided to go for more depth and less breadth in 2006. Aiming to focus on interdisciplinary applications of math that didn’t duplicate what the students were learning in their regular schools, we cut out Visual Representations of Data and Probability. We also renamed the Game Theory unit to Conflict and Cooperation. These changes were definitely successful: the summer was less frantic, and there was time to concentrate on applications in depth. The only downside was that some students perceived the two-summer course as less mathematical, since it contained very little material that was familiar from their regular math courses. (The irony is that the most traditionally mathematical activities, such as using systems of linear equations to solve mixed-strategy game theory problems, were the least successful.)
Labels: math, teaching and learning
Saturday, August 19, 2006
Ruth Rendell: Thirteen Steps Down
“The doyenne of the crime writing world” is Mystery Ink’s description of Ruth Rendell. I’ve long been a fan of her fiction, not only her traditional detective series featuring Inspector Wexford but also her psychological crime novels. By this point I’ve probably read the large majority of Rendell’s 52 books, including both those written under her own name and those written under the pseudonym Barbara Vine. Most recently I have finished listening to Thirteen Steps Down on audiobook CD.
Usually I prefer to write my own reviews rather than refer readers to others’, but in this case I have to let Fiona Walker speak for me, as I really have nothing to add to her comments... so go read them!
Usually I prefer to write my own reviews rather than refer readers to others’, but in this case I have to let Fiona Walker speak for me, as I really have nothing to add to her comments... so go read them!
Labels: books
Friday, August 18, 2006
TWiki
This was the last day of this year’s session of the Crimson Summer Academy, which has been the subject of various posts earlier in this blog. As always, it was an excellent session. As always, there were some glitches.
But that’s not really the subject of today’s post. Here I just want to comment on Twiki, the platform upon which we built CSAconnect, a multipurpose wiki that we used (and continually modified) throughout the session. The theory was that CSAconnect would provide many capabilities, including describing and listing resources for courses; posting, submitting, and grading assignments; keeping records; and creating online journals, homepages, and links. My friend Meredith wrote the software; I served as liaison, tester, and occasional bug-fixer. We learned a valuable lesson from this process: don’t use TWiki! The combination of access control issues, poor documentation, and unacceptable performance added up to an extremely frustrating experience. I’ve never found anything so difficult to use.
But that’s not really the subject of today’s post. Here I just want to comment on Twiki, the platform upon which we built CSAconnect, a multipurpose wiki that we used (and continually modified) throughout the session. The theory was that CSAconnect would provide many capabilities, including describing and listing resources for courses; posting, submitting, and grading assignments; keeping records; and creating online journals, homepages, and links. My friend Meredith wrote the software; I served as liaison, tester, and occasional bug-fixer. We learned a valuable lesson from this process: don’t use TWiki! The combination of access control issues, poor documentation, and unacceptable performance added up to an extremely frustrating experience. I’ve never found anything so difficult to use.
Labels: technology
Thursday, August 17, 2006
More From Polymath
In yesterday’s post, I recommended an article in the Polymathematics blog. That entire blog is well worth reading.
For example, consider a discussion of whether 0^0 should be 0 (because zero to any power is 1) or 1 (because anything to the zero power is 1). Or is it indeterminate? Or undefined?
And on the non-mathematical front, do read the long review of Ruth Reich’s Garlic and Sapphires.
For example, consider a discussion of whether 0^0 should be 0 (because zero to any power is 1) or 1 (because anything to the zero power is 1). Or is it indeterminate? Or undefined?
And on the non-mathematical front, do read the long review of Ruth Reich’s Garlic and Sapphires.
Tuesday, August 15, 2006
Cell phones: good or bad?
It sounds like a silly question: “Are cell phones good or bad?” Clearly they’re good in emergencies, but bad when they ring in the classroom. Clearly they’re good when you’re on a bus and have to call to say you’ll be late for an appointment, but bad when you’re driving.
And yet...
I am surprised at the opposition to cell phones among a vocal minority of my baby-boomer friends. Sure, they admit that cell phones are useful at times and even essential in case of emergencies. But on the balance they definitely label cell phones as “bad.” In our current world of terrorist threats, both external and internal, this reaction strikes me as short-sighted. Cell phones clearly reduced the number of deaths at Columbine. An article in Education World pointed out the following:
And what about the recent attack in Mumbai? As pointed out by Bruce Schneier, America’s leading security expert, “Cell phones are useful to terrorists, but they're more useful to the rest of us.”
And yet...
I am surprised at the opposition to cell phones among a vocal minority of my baby-boomer friends. Sure, they admit that cell phones are useful at times and even essential in case of emergencies. But on the balance they definitely label cell phones as “bad.” In our current world of terrorist threats, both external and internal, this reaction strikes me as short-sighted. Cell phones clearly reduced the number of deaths at Columbine. An article in Education World pointed out the following:
People watched and heard as cell phones linked victims and potential victims to their loved ones and the outside world. Parents now wanted to be in closer contact with their children, and argued to school districts that cell phones were necessary for safety.
And what about the recent attack in Mumbai? As pointed out by Bruce Schneier, America’s leading security expert, “Cell phones are useful to terrorists, but they're more useful to the rest of us.”
Labels: technology
Sunday, August 13, 2006
S is for Silence
Let’s see. This must be the 19th book in Sue Grafton’s alphabet series. So it must be also be the 19th that I’ve read, since of course I’ve read them all in order — mostly because they’ve been published that way, but also because that’s the sort of person I am. I would have attempted to read them in order even if I had had random access to them.
Anyway, since Grafton has clearly latched onto a successful formula, she feels constrained to continue to follow it for the most part, but she also makes a number of changes in S is for Silence. Although it’s all nominally a first-person report — as always — it also contains frequent flashbacks in the form of chapters that take place fifty years ago. (That’ fifty years ago compared to the “present” of the mid-80s, where Grafton’s books are still taking place. Like most long-lasting series, the action doesn’t advance in the real-time calendar of publishing dates.) Conflict and character development place more of a role than they do in most mysteries, and some of the familiarities of previous installments fade almost into the background here. I don’t know what it would be like to read S is for Silence if you weren’t familiar with the rest of the series, but definitely read it if you’re a faithful Sue Grafton fan.
Anyway, since Grafton has clearly latched onto a successful formula, she feels constrained to continue to follow it for the most part, but she also makes a number of changes in S is for Silence. Although it’s all nominally a first-person report — as always — it also contains frequent flashbacks in the form of chapters that take place fifty years ago. (That’ fifty years ago compared to the “present” of the mid-80s, where Grafton’s books are still taking place. Like most long-lasting series, the action doesn’t advance in the real-time calendar of publishing dates.) Conflict and character development place more of a role than they do in most mysteries, and some of the familiarities of previous installments fade almost into the background here. I don’t know what it would be like to read S is for Silence if you weren’t familiar with the rest of the series, but definitely read it if you’re a faithful Sue Grafton fan.
Labels: books
Friday, August 11, 2006
McCall Smith in Germany
In several previous posts, I have written about the first five novels in Alexander McCall Smith’s Botswana series, featuring Precious Ramotswe, as well as the first novel in his Edinburgh series, featuring Isabel Dalhousie. Now I’ve read all three in his Germany trilogy, featuring Moritz-Maria von Igelfeld: Portuguese Irregular Verbs, The Finer Points of Sausage Dogs, and At the Villa of Reduced Circumstances. These are light-hearted academic satires, painted with a broad brush. I first picked these up because I couldn’t possibly resist a work of fiction entitled Portuguese Irregular Verbs, and I have a weakness for academic satires. The anti-hero, von Igelfeld, is a German professor of Romance philology, best known for his definitive tome (hundreds of pages long — I don’t remember how many) on Portuguese irregular verbs.
When I was a kid, I learned the definition of an expert as someone who knows more and more about less and less, and I resolved never to become that sort of expert. Perhaps that’s why I became somethng of a polymath. But von Igelfeld is definitely that sort of expert, knowing everything about Romance philology and nothing about anything else. These blinders lead to dozens of comic situations — chuckle-to-oneself comic, not laugh-out-loud comic — as von Igelfeld and his colleagues attempt to deal with a panoply of real-life situations in the first two volumes and fantasy situations in the third. My favorite scene is one in which the three German professors attempt to learn how to play tennis by reading a textbook.
Like the other two series, the von Igelfeld novels frequently raise philosophical questions, often in the guise of moral dilemmas. These books are not for everyone, but they’re fun to read and provide a useful perspective for those of us whose worlds are often academic, in both senses of the word.
When I was a kid, I learned the definition of an expert as someone who knows more and more about less and less, and I resolved never to become that sort of expert. Perhaps that’s why I became somethng of a polymath. But von Igelfeld is definitely that sort of expert, knowing everything about Romance philology and nothing about anything else. These blinders lead to dozens of comic situations — chuckle-to-oneself comic, not laugh-out-loud comic — as von Igelfeld and his colleagues attempt to deal with a panoply of real-life situations in the first two volumes and fantasy situations in the third. My favorite scene is one in which the three German professors attempt to learn how to play tennis by reading a textbook.
Like the other two series, the von Igelfeld novels frequently raise philosophical questions, often in the guise of moral dilemmas. These books are not for everyone, but they’re fun to read and provide a useful perspective for those of us whose worlds are often academic, in both senses of the word.
Labels: books
Thursday, August 10, 2006
McCall Smith in Botswana
In a much earlier post, I discussed Alexander McCall Smith’s No. 1 Ladies’ Detective Agency, the first in a series of mystery novels taking place in Botswana. In the intervening months I have subsequently read the next four in the series: Tears of the Giraffe, Morality for Beautiful Girls, The Kalahari Typing School for Men, and The Full Cupboard of Life. My opinion remains unchanged: these calmly paced novels manage to keep the reader’s attention while immersing him or her in a convincing world. Though more formulaic than I would like, they are no more so than most detective story series. There is something comforting about adhering to a formula, and “comforting” is such an appropriate distinction for this particular set of novels. Don’t expect excitement, don’t expect plots with twists and turns, but do expect a pleasant journey to an unfamiliar land with companions whom you would like to know.
Labels: books
Tuesday, August 08, 2006
Jasper Fforde
I have recently read Jasper Fforde’s first three Thursday Next novels: The Eyre Affair (2002), Lost in a Good Book (2003), and The Well of Lost Plots (Feb. 2004). Where do I begin in describing this offbeat series? One reader complained that The Well of Lost Plots wasn’t a very good mystery. But perhaps that’s because it’s not a mystery at all. Although these are clearly genre novels, it’s not at all clear which genre they fall into. If I had to label them, I would call them science fiction, but only in the sense that the Hitchhiker trilogy by Douglas Adams could be called science fiction. Or perhaps they’re fantasy, in the Tolkien tradition. But actually they’re mostly like Lewis Carroll, especially in their delight in wordplay and their construction of an amusing fictional world that is sometimes a satire on our so-called real world and sometimes just fun. Fforde’s books take place in England in 1985, but it’s an alternative 1985, apparently fitting into the traditional science fiction theme of alternative history. In this universe there never was a Soviet Union, Russia is still fighting the Crimean War, Wales is an independent (apparently communist) country, there are no airplanes, vampires and werewolves are real, dodos and mammoths are no longer extinct thanks to genetic engineering, etc., etc. But what’s most important is that popular culture includes a universal reverence for literature, and there is a “book world” in which all the fictional characters of literature actually exist. This is a new twist on Marianne Moore’s “imaginary gardens with real toads in them,” because all the imaginary worlds created by all the authors in the past and the present have literally become real, and sometimes people can even move back and forth between the real world and the book world. Anyway, no more here for the moment, but I highly recommend the Thursday Next series unless you are totally turned off by the whimsy of Carroll and Adams.
Labels: books
Saturday, August 05, 2006
Mathematical Gangsta Rap
Filled with in-jokes about cryptology and computational complexity, Mathematical Gangsta Rap is an amusing combination of high culture and low culture. But you’ll have to make your own decision about which is which.
Labels: math
Wednesday, August 02, 2006
Suddenly a new car
Our trusty Ford Escort station wagon, which was relatively cheap but reliable, finally stopped being either and just died. When you have a nine-year-old car and you’re faced with a $1000 estimate for repairs, you have to decide whether it’s worth it. But when the repair estimate is $6000, it’s a no-brainer. So we went to our usual dealership, Sentry South, and bought a 2005 Taurus with several features we wanted and several we didn’t need, but the price was right and we liked the fact that it had spent its entire life so far in Florida. An odometer reading of 15,000 miles is a lot less worrisome when the car has spent two winters in Florida rather than Massachusetts.
Labels: life
Tuesday, August 01, 2006
End of hiatus!
Finally back from a blog hiatus of almost three months!
I am very much looking forward to the new vesion of Blogger, which will permit labels on posts to denote categories. This feature will help viewers who are interested in only some of the topics I write about, say education and math but not Dorchester or travel. Unfortunately there is no migration path yet, so at the moment it's only for new blogs. Stay tuned...
I am very much looking forward to the new vesion of Blogger, which will permit labels on posts to denote categories. This feature will help viewers who are interested in only some of the topics I write about, say education and math but not Dorchester or travel. Unfortunately there is no migration path yet, so at the moment it's only for new blogs. Stay tuned...
Labels: life, technology
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